{"id":9831,"date":"2024-12-23T00:00:00","date_gmt":"2024-12-23T05:00:00","guid":{"rendered":"https:\/\/www.noemieraymond.com\/?p=9831"},"modified":"2025-10-20T18:25:20","modified_gmt":"2025-10-20T22:25:20","slug":"dernieres-suggestions-decoute-avant-noel-et-non-les-moindres","status":"publish","type":"post","link":"https:\/\/www.noemieraymond.com\/en\/dernieres-suggestions-decoute-avant-noel-et-non-les-moindres\/","title":{"rendered":"Derni\u00e8res suggestions d&#8217;\u00e9coute avant No\u00ebl, et non les moindres!"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1760999115617{margin-bottom: 35px !important;}&#8221;]<em>This news is only available in french.<\/em>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9483 size-medium alignright\" src=\"https:\/\/www.noemieraymond.com\/wp-content\/uploads\/2024\/10\/dialogues_article-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.noemieraymond.com\/wp-content\/uploads\/2024\/10\/dialogues_article-300x300.jpg 300w, https:\/\/www.noemieraymond.com\/wp-content\/uploads\/2024\/10\/dialogues_article-150x150.jpg 150w, https:\/\/www.noemieraymond.com\/wp-content\/uploads\/2024\/10\/dialogues_article.jpg 542w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><strong> <a class=\"link-danger text-decoration-none\" href=\"https:\/\/www.ludwig-van.com\/montreal\/author\/beatricecadrin\/\">B\u00e9atrice Cadrin, <\/a><\/strong><a href=\"https:\/\/www.ludwig-van.com\/montreal\/2024\/12\/23\/disques-dernieres-suggestions-decoute-avant-noel-et-non-les-moindres\/\"><strong>ludwig-van.com<\/strong><\/a><\/p>\n<p class=\"admarker\">L\u2019album\u00a0<em>Dialogues<\/em>, fruit de la collaboration entre la violoncelliste\u00a0<strong>No\u00e9mie Raymond<\/strong>\u00a0et la pianiste\u00a0<strong>Zenni Li-Cohen<\/strong>, offre des interpr\u00e9tations prenantes de deux grandes sonates, celle pour violoncelle et piano de Rachmaninov et celle pour alto et piano de Rebecca Clarke, transcrite pour le violoncelle par la compositrice. La juxtaposition de ces deux pi\u00e8ces contribue \u00e0 faire ressortir certains traits communs, dont un caract\u00e8re extroverti servi admirablement par la sonorit\u00e9 franche et expansive de\u00a0<strong>Raymond<\/strong>. La violoncelliste fait preuve d\u2019un contr\u00f4le d\u2019archet impeccable et d\u2019un vibrato chaleureux. Au piano,\u00a0<strong>Li-Cohen<\/strong>\u00a0est une partenaire de dialogue \u00e0 la mesure de Raymond : son jeu \u00e9l\u00e9gant et confiant vient appuyer des intentions musicales claires et senties.<\/p>\n<p class=\"admarker\">Les artistes d\u00e9voilent dans la bande-annonce de l\u2019album que la Sonate de Rachmaninov (une de mes \u0153uvres pr\u00e9f\u00e9r\u00e9es, tous genres confondus) est une \u0153uvre qui les suit depuis plusieurs ann\u00e9es, ce qui transpara\u00eet dans la maturit\u00e9 de l\u2019interpr\u00e9tation : les phras\u00e9s sont sculpt\u00e9s avec l\u2019aisance qui na\u00eet d\u2019une familiarit\u00e9 intime. Seules les finales abruptes, dont on trouve des exemples dans le Rachmaninov et dans le Clarke, manquent leur but par un manque d\u2019emphase. Nonobstant cette petite critique,\u00a0<em>Dialogues<\/em>\u00a0est all\u00e9 rejoindre l\u2019album\u00a0<em>Obsession<\/em>\u00a0de\u00a0<strong>Marie Nadeau-Tremblay<\/strong>\u00a0dans mon palmar\u00e8s des grandes parutions de l\u2019ann\u00e9e.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Alienum phaedrum torquatos nec eu, vis detraxit periculis ex, nihil expetendis in mei. Mei an pericula euripidis, hinc partem ei est. Eos ei nisl graecis, vix aperiri consequat an. Eius lorem tincidunt vix at, vel pertinax sensibus id, error epicurei mea et. Mea facilisis urbanitas moderatius id. Vis ei rationibus definiebas, eu qui purto zril laoreet. Ex error omnium interpretaris pro, alia illum ea vim. Lorem ipsum dolor sit amet, te ridens gloriatur temporibus qui, per enim veritus probatus ad. Quo eu etiam exerci dolore, usu ne omnes referrentur. Ex eam diceret denique, ut legimus similique vix, te equidem apeirian definitionem eos. Ei movet elitr mea. Vis legendos conceptam ad. Fabulas vituperata sadipscing ei quo, altera numquam est in.<\/p>\n","protected":false},"author":3,"featured_media":9452,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9831","post","type-post","status-publish","format-audio","has-post-thumbnail","hentry","category-non-classifiee","post_format-post-format-audio"],"_links":{"self":[{"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/posts\/9831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/comments?post=9831"}],"version-history":[{"count":6,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/posts\/9831\/revisions"}],"predecessor-version":[{"id":10132,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/posts\/9831\/revisions\/10132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/media\/9452"}],"wp:attachment":[{"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/media?parent=9831"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/categories?post=9831"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/tags?post=9831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}