{"id":9449,"date":"2022-10-28T14:58:02","date_gmt":"2022-10-28T18:58:02","guid":{"rendered":"https:\/\/www.noemieraymond.com\/?p=9449"},"modified":"2025-10-20T18:35:47","modified_gmt":"2025-10-20T22:35:47","slug":"critique-cellopera-duo-cavatine","status":"publish","type":"post","link":"https:\/\/www.noemieraymond.com\/en\/critique-cellopera-duo-cavatine\/","title":{"rendered":"Critique: CellOp\u00e9ra \u2013 Duo Cavatine"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1760999742045{margin-bottom: 35px !important;}&#8221;]<em>This news is only available in french.<\/em>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]<img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-9450\" src=\"https:\/\/www.noemieraymond.com\/wp-content\/uploads\/2024\/10\/cellopera_article_contenu2.jpg\" alt=\"\" width=\"499\" height=\"261\" srcset=\"https:\/\/www.noemieraymond.com\/wp-content\/uploads\/2024\/10\/cellopera_article_contenu2.jpg 499w, https:\/\/www.noemieraymond.com\/wp-content\/uploads\/2024\/10\/cellopera_article_contenu2-300x157.jpg 300w\" sizes=\"auto, (max-width: 499px) 100vw, 499px\" \/>Compos\u00e9 de la violoncelliste\u00a0<strong>No\u00e9mie Raymond-Friset<\/strong>\u00a0et du pianiste\u00a0<strong>Michel-Alexandre Broekaert,<\/strong>\u00a0le Duo Cavatine lan\u00e7ait il y a quelques semaines\u00a0<strong><em>CellOp\u00e9ra<\/em><\/strong>, un album qui r\u00e9unit des arrangements de pi\u00e8ces lyriques pour leurs instruments. Le programme est vari\u00e9, avec des pi\u00e8ces de Gershwin, Beethoven, Faur\u00e9, Mozart, Bellini et m\u00eame Andr\u00e9 Gagnon avec\u00a0<em>Le vaisseau d\u2019or<\/em>, extrait de l\u2019op\u00e9ra\u00a0<em>Nelligan.<\/em>\u00a0La plupart des arrangements ont \u00e9t\u00e9 r\u00e9alis\u00e9s par les interpr\u00e8tes eux-m\u00eames.<\/p>\n<p>D\u2019embl\u00e9e, il faut dire que\u00a0<strong>No\u00e9mie Raymond-Friset<\/strong>\u00a0nous fait entendre une magnifique sonorit\u00e9 de violoncelle, riche et profonde, avec un dosage id\u00e9al de vibrato.\u00a0<strong>Michel-Alexandre Broekaert\u00a0<\/strong>r\u00e9unit pour sa part toutes les qualit\u00e9s d\u2019un excellent accompagnateur et d\u2019un chambriste de talent. Du c\u00f4t\u00e9 des arrangements, le tout est assez sage, mais de bon go\u00fbt. R\u00e9alis\u00e9 au Conservatoire de musique de Montr\u00e9al, l\u2019enregistrement est \u00e9quilibr\u00e9 et la qualit\u00e9 de la captation est bonne.<\/p>\n<p>Avec un tel choix de pi\u00e8ces \u00e0 succ\u00e8s aux m\u00e9lodies tr\u00e8s connues, il s\u2019agit d\u2019un bon album \u00e0 offrir \u00e0 No\u00ebl pour initier un proche \u00e0 la musique classique. Et s\u2019il faut comparer deux albums de violoncelle bas\u00e9s sur des \u00ab\u00a0hits\u00a0\u00bb, je pr\u00e9f\u00e8re pour ma part l\u2019\u00e9coute de\u00a0<em>CellOp\u00e9ra<\/em>\u00a0\u00e0 celle de\u00a0<em>Sensations<\/em>, dernier titre de\u00a0<strong>Gauthier Capu\u00e7on<\/strong>\u00a0sur Warner Classics avec l\u2019Orchestre national de Bretagne, qui sombre plus ou moins (mais plus que moins) dans la guimauve.<\/p>\n<p><strong>Publi\u00e9 le 28 octobre 2022 par <a href=\"https:\/\/www.ludwig-van.com\/montreal\/\" target=\"_blank\" rel=\"noopener\">Caroline Rodgers<\/a>.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Alienum phaedrum torquatos nec eu, vis detraxit periculis ex, nihil expetendis in mei. Mei an pericula euripidis, hinc partem ei est. Eos ei nisl graecis, vix aperiri consequat an. Eius lorem tincidunt vix at, vel pertinax sensibus id, error epicurei mea et. Mea facilisis urbanitas moderatius id. Vis ei rationibus definiebas, eu qui purto zril laoreet. Ex error omnium interpretaris pro, alia illum ea vim. Lorem ipsum dolor sit amet, te ridens gloriatur temporibus qui, per enim veritus probatus ad. Quo eu etiam exerci dolore, usu ne omnes referrentur. Ex eam diceret denique, ut legimus similique vix, te equidem apeirian definitionem eos. Ei movet elitr mea. Vis legendos conceptam ad. Fabulas vituperata sadipscing ei quo, altera numquam est in.<\/p>\n","protected":false},"author":1,"featured_media":9452,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9449","post","type-post","status-publish","format-audio","has-post-thumbnail","hentry","category-non-classifiee","post_format-post-format-audio"],"_links":{"self":[{"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/posts\/9449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/comments?post=9449"}],"version-history":[{"count":3,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/posts\/9449\/revisions"}],"predecessor-version":[{"id":10139,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/posts\/9449\/revisions\/10139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/media\/9452"}],"wp:attachment":[{"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/media?parent=9449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/categories?post=9449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.noemieraymond.com\/en\/wp-json\/wp\/v2\/tags?post=9449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}