{"version":"1.0","provider_name":"No\u00e9mie Raymond - Violoncelliste","provider_url":"https:\/\/www.noemieraymond.com\/en\/","author_name":"Chantal Friset","author_url":"https:\/\/www.noemieraymond.com\/en\/author\/chantal-friset\/","title":"CD Review | No\u00e9mie Raymond-Friset and Zhenni Li-Cohen, Dialogues - No\u00e9mie Raymond - Violoncelliste","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"4GzKbFNAOr\"><a href=\"https:\/\/www.noemieraymond.com\/en\/critique-dialogues-leaf-music-2024\/\">CD Review | No\u00e9mie Raymond-Friset and Zhenni Li-Cohen, Dialogues<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.noemieraymond.com\/en\/critique-dialogues-leaf-music-2024\/embed\/#?secret=4GzKbFNAOr\" width=\"600\" height=\"338\" title=\"&#8220;CD Review | No\u00e9mie Raymond-Friset and Zhenni Li-Cohen, Dialogues&#8221; &#8212; No\u00e9mie Raymond - Violoncelliste\" data-secret=\"4GzKbFNAOr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.noemieraymond.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.noemieraymond.com\/wp-content\/uploads\/2024\/10\/lascenamusicale.jpg","thumbnail_width":550,"thumbnail_height":550,"description":"Alienum phaedrum torquatos nec eu, vis detraxit periculis ex, nihil expetendis in mei. Mei an pericula euripidis, hinc partem ei est. Eos ei nisl graecis, vix aperiri consequat an. Eius lorem tincidunt vix at, vel pertinax sensibus id, error epicurei mea et. Mea facilisis urbanitas moderatius id. Vis ei rationibus definiebas, eu qui purto zril laoreet. Ex error omnium interpretaris pro, alia illum ea vim. Lorem ipsum dolor sit amet, te ridens gloriatur temporibus qui, per enim veritus probatus ad. Quo eu etiam exerci dolore, usu ne omnes referrentur. Ex eam diceret denique, ut legimus similique vix, te equidem apeirian definitionem eos. Ei movet elitr mea. Vis legendos conceptam ad. Fabulas vituperata sadipscing ei quo, altera numquam est in."}